Between sea and landscape. A guesthouse overlooking Amanohashidate.
Between sea and landscape. A guesthouse overlooking Amanohashidate.

Between sea and landscape. A guesthouse overlooking Amanohashidate.

In one of the most picturesque areas of Japan, in the northern part of Kyoto Prefecture, a compact and layered guesthouse interprets the landscape of Amanohashidate – one of the Nihon Sankei – through a design that is attentive to scale, perception, and quality of the living experience.

A delicate context between tourism and landscape regulations

The project by Kenzo Makino & Associates is located on the outskirts of the main tourist area of Amanohashidate, slightly removed from the busier center. The context is characterized by a moderate building density, with structures of varying sizes and a widespread presence of more informal road structures. In addition, there are strict local landscape regulations that impose specific guidelines on tiled roofs, setbacks, colors, and proportions. In this scenario, architecture is faced with the need to integrate harmoniously, avoiding dramatic gestures and prioritizing a measured relationship with the natural and built surroundings.

Between sea and landscape. A guesthouse overlooking Amanohashidate.

Multiple perspectives as a guide to the project

In addition to the traditional street-level perception, the project has considered a plurality of viewpoints: those from above, from the surrounding hills, the dynamic view of those traveling the road by car, and even the distant views from the sea, from the boats. The goal was to respond coherently to all these perspectives, through careful control of form, scale, and volumetric articulation, as in the best architecture projects capable of interacting with the landscape on multiple levels of interpretation.

Between sea and landscape. A guesthouse overlooking Amanohashidate.

A dual identity: urban towards the street, silent towards the sea

The street front has been divided into multiple volumes, evoking the sequence of traditional Japanese row houses. This fragmentation helps make the facade more dynamic and human, avoiding the effect of a single compact body. The layout also allows for the placement of service areas - bathrooms, washing areas, storage rooms - on the front, clarifying the internal organization of the rooms. On the opposite side, facing the sea, the building instead takes on a more intimate and quiet character, inspired by the image of a moored boat: a discreet, stable presence, in harmony with the horizon.

Between sea and landscape. A guesthouse overlooking Amanohashidate.

Interiors designed for an extraordinary living experience

The guesthouse accommodates three units: two standard rooms and a suite with a private sauna, organized vertically in a compact configuration. The rooms are spread over two levels: on the ground floor, there are a kitchen, dining area, and a deck with a garden, designed as welcoming and functional spaces even for extended stays, thanks to a large communal table, ample storage spaces, and high-quality amenities. Upstairs, a continuous sequence of 11.6 meters connects the sleeping area to the outdoor bathroom, ensuring visual continuity and fluidity in movements. The heights of the bathtub, desk, windowsill, and bed are precisely calibrated to create a spatial perception where the upper body opens up to the landscape, while the lower body is enveloped in a sense of protection and tranquility. In less than 70 square meters, the project forgoes the traditional living area to amplify other spatial experiences, offering a novel way of inhabiting and experiencing this extraordinary place.

Between sea and landscape. A guesthouse overlooking Amanohashidate.

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